He drops back down and takes his place in the center of the ring and brings the microphone up to his lips. Justin then hops up onto the corner turnbuckle and smiles, looking out around at all of the fans filling the grandstand and the rows of seats around the grounds itself. He is handed the microphone by Jason Adams as he runs up the ring steps and climbs inside of the six-sided SCW ring and walks around, pumping his fist in the air to the tune of the crowd's chants.

The handsome exhibitionist jogs out to the ring, slapping hands to the fans who reach out to him. The camera scans around the capacity crowd, cheering and waving while holding up signs for their favorites.Ī spotlight then begins to shine and the crowd cheers as ring announcer Justin Decent steps out onto the stage. But for those who can live with the group's contradictions, Munchies for Your Bass is arguably their strongest effort.The crowd is alive with energy inside of the Galen Center in Los Angeles, California.

Here's the thing: alcohol consumption is strictly forbidden in most sects of Islam, and in 1991, there were those who saw a major contradiction between Nemesis asserting 'all praise due to Allah' only to turn around and encourage inebriation. Thieves,' a humorous, Beastie Boys-influenced number that celebrates the pleasures of malt liquor. One track that made some hip-hoppers question Nemesis' commitment to the Islamic faith is 'Ali English and the 40 Oz. A party atmosphere prevails on the urban contemporary-minded offerings, and it also prevails on the rock-influenced 'Let's Have a Good Time' (which samples Led Zeppelin's 'Whole Lotta Love'). For those who are into R-rated fun, it isn't hard to move to infectious numbers like 'Dallas We Come From,' 'S.O.U.L,' and the single 'I Want Your Sex' (which boasts a sleek, R&B-ish groove that recalls Steve Arrington's work with Slave in the late '70s and early '80s). But even if this 1991 release was motivated by a desire to sell more CDs and seems less sincere than To Hell and Back, it's still an enjoyable party album.

Some hip-hoppers denounced Munchies for Your Bass as a sellout, arguing that when the conscious approach didn't result in multi-platinum sales for Nemesis, the Dallas group decided to take the easy way out and exploit sex. While that CD was full of conscious lyrics à la Brand Nubian, this sophomore effort is more of a party album - one with plenty of R-rated, sexploitive lyrics. Nemesis' second album, Munchies for Your Bass, was a surprising departure from their 1989 debut, To Hell and Back.

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